From backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book unveils a delightful panorama of opera lore, alternately hilarious, poignant, and wise. Ethan Mordden has mined the literature for "the best stories" and retells them in the fresh and witty style that prompted Publishers Weekly to hail him as "one of the most entertaining anFrom backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book unveils a delightful panorama of opera lore, alternately hilarious, poignant, and wise. Ethan Mordden has mined the literature for "the best stories" and retells them in the fresh and witty style that prompted Publishers Weekly to hail him as "one of the most entertaining and provocative writers around."
Mordden has selected a vast collection of classic, arcane and unusual anecdotes, including Giuseppe Verdi's advice on how to run an opera house and how to write an aria, Enrico Caruso's adventures in the San Francisco earthquake, Arturo Toscanini's reunion dinner with his former lover Geraldine Farrar, and Beverly Sills' ad libbing from the Met balcony during a Lily Pons Lakme. The volume contains sad stories, too, as when Hans von Bulow confronts his wife Cosima after she has left him for Wagner; and silly stories, as when Colonel Henry Mapleson attempts to put on Il Trovatore while missing one of the four principals, Azucena. We see history being made when Gluck's "psychological" orchestration so startles the Paris Opera orchestra that the players trail off in astonishment; and we see history nearly unmade when Luciano Pavarotti's plane crashes en route to Milan.
"There is history here," Mordden notes, "for if many of the tales are silly, many others are telling. They bring us close to a moment in which art is invented, revised, elaborated. The characters of opera's adventures are so vital and stimulating that almost anything they do enlightens us."
Paperback, 267 pages
Published December 1st 1988 by Oxford University Press, USA (first published October 3rd 1985)
Ethan Mordden (born January 27, 1949) is an American author.
Mordden was born and raised in Pennsylvania, in Venice, Italy, and on Long Island, and is a graduate of Friends Academy in Locust Valley, New York, and the University of Pennsylvania. He at first sought a career in show business, working as music director on off-Broadway and in regional theatre, and enrolling in the BMI Lehman Engel Musical Theater Workshop run by Lehman Engel. As both composer and lyricist, Mordden wrote musicals based on William Shakespeare's Measure For Measure and on Max Beerbohm's Zuleika Dobson, but he ended up earning his living as a writer of English prose. In the 1970s, he was assistant editor to Dorothy Woolfolk on such DC Comics as The Dark Mansion of Forbidden Love.
Works and themes
His stories, novels, essays, and non-fiction books cover a wide range of topics including the American musical theater, opera, film, and, especially in his fiction, the emergence and development of contemporary American gay culture as manifested in New York City. He has also written for The New Yorker, including three works of fiction, Critic At Large pieces on Cole Porter, Judy Garland, and the musical Show Boat, and reviews of a biography of the Barrymores and Art Spiegelman's graphic novel Maus. He is currently a book reviewer for The Wall Street Journal.
His best known fictional works are the inter-related series of stories known collectively as the "Buddies" cycle. In book form, these began with 1985's I've a Feeling We're not in Kansas Anymore. The fifth in the series, 2005's How's Your Romance?, is subtitled Concluding the "Buddies" Cycle. Together, the stories chronicle the times, loves, and losses of a close-knit group of friends, men who cope with the challenges of growing up and growing older. In this circle of best friends, teasing putdowns become performance art, but none of the friends ever attacks any other friend's sensitive spots. Mordden thus breaks away from the gay model proposed by Mart Crowley's play The Boys in the Band, in which supposed best friends assault one another relentlessly in a style that has bedeviled gay art ever since, for instance in the television series Queer as Folk. Mordden's ideal of gay friendship presents men who genuinely like themselves and one another. They are unique in gay literature in that they respect the limits of privacy. This explains their devotion to one another: this "family" is a safe place.
In 1995, Mordden produced an epic novel, How Long Has This Been Going On?, following the lives of a diverse group of men and women from 1949 to 1991 and moving from Los Angeles to the Midwest, then from San Francisco to the Northeast. All but one of the principal characters are gay or lesbian. Mordden's own favorite among his works of fiction is The Venice Adriana of 1998, which uses the life and art of the opera soprano Maria Callas to question whether we are trapped by fate or free to invent a destiny. In a Nabokovian game meant for opera lovers, the novel's plot and characters reflect the plot and characters of Francesco Cilea's opera Adriana Lecouvreur. Mordden's least well-known work is A Bad Man Is Easy To Find, published in 1989 under the pseudonym of M. J. Verlaine. Though the book aligns with the "Buddies" cycle in its structure of interrelated short stories, it is entirely about the lives of women, and has only one minor gay character. In 2008, Mordden published The Jewcatcher, a surrealistic novel set in Berlin from the end of the Weimar Republic to the last day of the European war. The many principal characters are a combination of Mordden's inventions and such real-life figures as Adolf Hitler, Marlene Dietrich, Raoul Wallenberg, Claus von Stauffenberg, and President Paul von Hindenburg. In 2012, Mordden brought out his first volume of gay fiction in eight years, The Passionate Attention of an Interesting Man. In the form of a novella and four short stories, the book explores relationships in which one man dominates another. Mordden returned to writing fiction based on history in 2015 with One Day in France, set in Limoges and Oradour-sur-Glane when the latter, a peaceful village, was destroyed and its inhabitants brutally murdered by a squad of the Nazi Schutzstaffel.
Mordden's non-fiction includes six volumes detailing the history of the Broadway musical from the 1920s through the 1970s (followed by a seventh volume going up to 2003 in a different style from the six-title series), guides to orchestral music and operatic recordings, and a cultural history of the American 1920s entitled That Jazz. He has also published Demented, an examination of the phenomenon of the operatic diva, and a coffee-table book on the works of Rodgers and Hammerstein. His 2012 book Love Song: The Lives of Kurt Weill and Lotte Lenya is a dual biography chronicling the romance and professional collaboration of Kurt Weill and Lotte Lenya, and in 2013 he published Anything Goes: A History of American Musical Theatre. He has written a number of books on film, including analyses of the influence of Hollywood studios and of the role of female film stars. In all his non-fiction, Mordden has been a pioneer among writers who bring their personal experience and even their personalities into discussion.
The New York Times spoke of Mordden as being among a group of "ruminators on popular culture" animated by "the gun-moll gesticulations of Pauline Kael, for whom responsiveness was everything." 
- Buddies series
- I've a Feeling We're Not in Kansas Anymore: Tales from Gay Manhattan, 1985
- Buddies, 1986
- Everybody Loves You: Further Adventures in Gay Manhattan, 1988
- Some Men Are Lookers, 1997
- How's Your Romance?, 2005
- The Golden Age of the Broadway Musical
- Make believe : the Broadway musical in the 1920s, 1997
- Sing for your supper : the Broadway musical in the 1930s, 2005
- Beautiful mornin' : the Broadway musical in the 1940s, 1999 
- Coming up roses : the Broadway musical in the 1950s, 1998
- Open a new window : the Broadway musical in the 1960s, 2001
- One more kiss : the Broadway musical in the 1970s, 2003
- ^Gewen, Barry, The New York Times Book Review, December 12, 2004, p. 20.
- ^Mordden, Ethan (1999). Beautiful Mornin: The Broadway Musical in the 1940s. U.S.: Oxford University Press. ISBN 0-19-512851-6.